Mama
Retreat | 2021 | 16m
Genre: Horror/Short | Country: United States
Director: Eileen Álvarez | Writer: Eileen Álvarez
Cast: Annie Gonzalez, Nicole Garza, Laura Campbell
IMDb: 3.8
My Rating: 7/10
Mercedes
attends an exclusive glamping retreat designed to prepare women for motherhood,
only to uncover a dark mystery beyond anything she could have imagined.
Warning:
None
What
if a place designed to help you prepare for motherhood becomes the very place
that makes you question whether you are safe?
That
was the thought I had while watching Mama Retreat (2021). The short film
has a simple but interesting premise: a woman joins an exclusive retreat to
deal with her worries about becoming a mother, only to discover that something
strange is happening around her. The idea immediately caught my attention, although
I also felt that the concept had much more potential than what could be
explored in its short runtime.
Mercedes
(Annie Gonzalez) is preparing to become a mother. Following her doctor's advice
to deal with the anxiety she is experiencing, she travels to a remote location
to attend a special retreat.
The
retreat is attended by several women who are encouraged to share their worries
about motherhood. The sessions are led by Julie, who tries to create an
atmosphere where everyone feels comfortable enough to open up.
At
first, Mercedes feels that she has come to the wrong place. She does not want
to talk about the concerns she has been keeping to herself. But Julie manages
to persuade her to participate, and little by little, Mercedes begins to open
up.
Then
something strange happens during a group meal.
The
women are served live insects and are expected to eat them.
Mercedes
immediately becomes suspicious and wants to leave the retreat. But once again,
Julie manages to convince her to stay until the evening session.
That
decision leads Mercedes into something much darker than she expected.
Will
she make it out alive?
What
I like about Mama Retreat is the basic idea. A retreat for women
preparing themselves for motherhood already provides an interesting setting
because becoming a mother can naturally bring many worries, expectations, and
fears.
Then
the film adds horror to that situation.
For
me, the concept has enough potential to become a much longer film. A
feature-length version could explore the background of the characters, explain
why the retreat exists, and build a stronger foundation for the mystery.
The
short film itself is presented reasonably well, but I think that is also where
its biggest limitation appears. There simply is not enough time to develop
everything that the concept seems capable of offering.
The
beginning is actually quite promising. Mercedes is introduced as someone who is
anxious and reluctant to talk about what she is feeling, and the retreat
immediately creates a slightly uncomfortable atmosphere.
But
the conflict does not develop strongly enough for me.
Once
the strange behavior begins, I can already predict where the story is going.
There is not much that genuinely surprises me along the way.
The
ending is more interesting because of the twist. It is not something I
completely expected, and it does make the short film more memorable. At the
same time, I am still left wondering exactly where the story is supposed to go
beyond that point.
That
is probably my biggest feeling after watching Mama Retreat: I can see
the potential, but I want more.
I
think the characters' backgrounds could have been explored further. The story
also needs more information about the retreat itself and the reasons behind
what is happening. Those details could have made the mystery much stronger and
given the ending more impact.
The
acting is quite good, although I would not say that any of the performances are
particularly outstanding. The cinematography, color composition, and music are
handled well, and I also like the location chosen for the retreat. The setting
has a certain aesthetic quality that makes the experience visually interesting.
One
scene that stayed with me is when all the participants gather in a circle to
exercise together. During the activity, they are encouraged to express
themselves freely and scream to release their anxiety.
Mercedes
seems to completely lose herself in that feeling of freedom.
For
a moment, she lets out everything she has been carrying in her mind.
I
find this scene interesting because it shows another side of Mercedes. Until
then, she has been hesitant and uncomfortable about expressing her fears. Here,
however, she finally lets herself release the emotions she has been holding
back.
Watching
her made me think about how much anxiety can be hidden behind the excitement of
becoming a mother. Preparing for motherhood is often presented as something
joyful, but it can also come with many fears that are not always openly
discussed.
People
may worry about whether they will be good parents, whether they are ready, or
whether they will be able to handle the responsibility.
The
scene captures that emotional release quite effectively for me, even though the
film does not explore those concerns in great depth.
The
dialogue, “You wanna be mom material?” also fits the atmosphere of the film
because it immediately makes motherhood feel like something that can be
measured or judged.
And
perhaps that is part of what makes the retreat unsettling.
When
someone is already worried that they are not ready to become a mother, being
placed in an environment where they feel they must prove themselves can make
those fears even stronger.
Overall,
I think Mama Retreat (2021) is still an interesting short horror film.
The concept is strong and could potentially become much more compelling as a
feature-length story. The conflict could be developed more, the characters need
stronger backgrounds, and the mystery could use more details, but the film
still manages to create an intriguing atmosphere in its limited runtime.
What
stayed with me most is the idea behind Mercedes' journey. Before becoming a
mother, she is already carrying so many questions about whether she is ready.
And
maybe that is something many people can understand beyond the horror itself: when
we are preparing for a major change in life, are we giving ourselves enough
space to admit that we are afraid, or are we too busy trying to prove that we
are ready?
(Aluna
Uwie)
Previously
published on Alunauwie.com.
"This
article was originally written in Indonesian and has been adapted into English
for international readers."

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